{"id":4324,"date":"2025-07-04T16:36:25","date_gmt":"2025-07-04T14:36:25","guid":{"rendered":"https:\/\/clash.fr\/beatrice-berrut\/"},"modified":"2026-06-19T17:08:03","modified_gmt":"2026-06-19T15:08:03","slug":"beatrice-berrut","status":"publish","type":"artistes","link":"https:\/\/clash.fr\/en\/artistes\/beatrice-berrut\/","title":{"rendered":"Beatrice Berrut"},"content":{"rendered":"\t\t
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Beatrice Berrut<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Vocals & piano<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRESERVE MY SEATS<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Beatrice\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Beatrice Berrut<\/b> was born and raised in Valais, in the heart of the Swiss Alps. Since childhood, the mountains have shaped her imagination as much as her philosophy. It was in this grandiose landscape that she developed an intimate relationship with nature and silence, which would become the invisible pillars of her art. As a child, she walked the snow-covered slopes and forests of her village, hand-in-hand with her sister, while at home the piano played by their mother resounded every evening – Schumann, Mendelssohn, a world of poetry to lull you to sleep. <\/span><\/p>

Yet it wasn’t until the age of eight that she officially took up the piano, fascinated by this mysterious wooden box from which overwhelming harmonies spring. The instrument soon became the center of her inner life: a refuge, a parallel realm. At the age of eleven, an event triggers a profound revelation: the discovery of the <\/span>Brahms’ Second Concerto<\/b>found by chance in the family discotheque. It was an existential shock. Music takes hold of her, haunts her, elevates her. She breathed Brahms, dreamed Brahms, became Brahms. From then on, her path was clear: she would serve this music from another world. <\/span><\/p>

Her adolescence was divided between hard work and long meditations on the shores of Lake Geneva, where she imagined Liszt strolling, also drawing inspiration from these landscapes. She recognizes herself in <\/span>Obermann Valley<\/b>a place of solitude, quest and doubt that has become an inner mirror for her.<\/span><\/p>

Reading <\/span>The Art of Piano<\/span><\/i> by Heinrich Neuhaus was an aesthetic revelation. She discovered a vision of the piano as a miniature orchestra, capable of transcending its mechanics. From the age of 16, she studied with <\/span>Esther Yellin<\/b> in Zurich, then for five years with <\/span>Galina Iwanzowa<\/b> in Berlin, both heirs to the Neuhaus school. Later, she perfected her skills in Dublin with <\/span>John O’Conor<\/b>a disciple of Kempff, thus continuing the German tradition of inner song.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Swiss winner of the Eurovision competition for young musicians at the age of 16, then invited at the age of 20 by <\/span>Gidon Kremer<\/b> at her Basel festival, Beatrice Berrut launched an international career that took her to the most prestigious stages: Tonhalle Zurich, Musikverein Vienna, Philharmonie Berlin, Tianjin Grand Theatre in China, Teatro Coliseo Buenos Aires, Preston Bradley Hall in Chicago… A rooted mountain dweller, she became a passionate globetrotter. <\/span><\/p>

His piano playing, with its rare poetic density, is distinguished by absolute mastery of sound and total commitment. His <\/span>recital programs<\/b>designed with a strong thematic focus, often include his own <\/span>transcriptions<\/b>He asserts a personal vision of tradition. His <\/span>discography<\/b> follows the same pattern: after a first opus devoted to Schumann, it pays tribute to two great spiritual figures, <\/span>Bach<\/b> (<\/span>Lux Aeterna<\/span><\/i>) and <\/span>Liszt<\/b> (<\/span>Metanoia<\/span><\/i>), whose mystical quest she explores through an inhabited interpretation.<\/span><\/p>

Today, Beatrice Berrut also composes, driven by the need for an even more direct dialogue with the musical absolute. For her, playing, transcribing and writing are all about refining the soul, awakening that part of eternity that only music can reveal. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"R\u00e9unir\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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RESERVE YOUR SEATS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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BEFORE IT'S TOO LATE!<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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